Last edited by Shagore
Wednesday, July 22, 2020 | History

2 edition of modern stentor, radio broadcasting in the United States. found in the catalog.

modern stentor, radio broadcasting in the United States.

Merlin Hall Aylesworth

modern stentor, radio broadcasting in the United States.

A Cyrus Fogg Brackett lecture

by Merlin Hall Aylesworth

  • 147 Want to read
  • 34 Currently reading

Published in [Princeton? .
Written in English

    Subjects:
  • Radio broadcasting.

  • Edition Notes

    Statementdelivered by Merlin Hall Aylesworth before the engineering faculty and students of Princeton university, 1928.
    ContributionsCyrus Fogg Brackett lectures, Princeton university.
    Classifications
    LC ClassificationsTK6570.B7 A9
    The Physical Object
    Paginationcover-title, 35 p.
    Number of Pages35
    ID Numbers
    Open LibraryOL6479575M
    LC Control Number44052381
    OCLC/WorldCa9002637

    Public broadcasting in the U.S. has grown from local and regional roots at schools and universities into a nationally known source of news and entertainment for millions of listeners and viewers. Our timeline of public broadcasting’s history traces its growth from the earliest radio broadcasts to its days as the home of Big Bird, Frontline [ ]. This web site was created to be a non-commercial repository of historical information and photos documenting the early years of radio broadcasting in the United States. A substantial portion of the site is dedicated to the history of broadcasting in the San Francisco Bay Area. Your comments, corrections and contributions are welcome.

    Talking Radio: An Oral History of American Radio in the Television Age By Michael C. Keith M. E. Sharpe, PS PRIMARY SOURCE A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. The One Hundred Oldest Stations in the United States. Please note that the definition of "oldest" is based on licenses issued by the DOC, AND the beginning of regular programming. For example, KCBS' ancestor was on the air with a regular schedule of programs in range. The DOC did not truly have a "broadcast" license until much later.

      Directed by Orson Welles, this broadcast was an adaptation of H. G. Wells’ classic novel The War of the Worlds (), and was performed as a Halloween special on Octo The live, 60 minute broadcast, presented mostly as a series of news bulletins, frightened many listeners into believing that an actual Martian invasion was in.  .. Most Americans, right up to and including doctorate-level media scholars don't know that as late as the mid 's over forty percent of the more than radio stations across the US were in the hands of not for profit, noncommercial broadcasters. For starters, corporations were generally slow to see the profit potential of broadcast radio. But public opinion was a much larger barrier.


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